Grafica italiana dal 1945 a oggi.
L’attività editoriale di Ettore Sottsass

The research outlines the influence of Ettore Sottsass Jr. in the history of Italian design, focusing on his contributions to the fields of graphic design and publishing. Sottsass, renowned for his eclectic vision, contributed not only to product design, such as the “Valentine”, but also to the redefinition of visual communication.

The book thoroughly analyzes Sottsass’s graphic and editorial experiences, emphasizing how his global influences and life experiences shaped his extensive body of work. The connection between Sottsass and other prominent figures in Italian graphic design is highlighted, providing a broad and in-depth perspective on his influence in the creative landscape.

ISIA U, 2023
MA in Communication
and Design for Publishing

Designed w/
Corinne Carlin

Course
Design for Publishing

Supervised by
Irene Bacchi
Leonardo Sonnoli

Typography
HAL Timezone (Studio Hanli)
Pitch Sans (Klim Type Foundry)

Category
Editorial
Research

Size
210 x 280 mm

Printed at
Inchiostro Puro, Torino

Grafica italiana dal 1945 a oggi.
L’attività editoriale di Ettore Sottsass

The research outlines the influence of Ettore Sottsass Jr. in the history of Italian design, focusing on his contributions to the fields of graphic design and publishing. Sottsass, renowned for his eclectic vision, contributed not only to product design, such as the “Valentine”, but also to the redefinition of visual communication.

The book thoroughly analyzes Sottsass’s graphic and editorial experiences, emphasizing how his global influences and life experiences shaped his extensive body of work. The connection between Sottsass and other prominent figures in Italian graphic design is highlighted, providing a broad and in-depth perspective on his influence in the creative landscape.

ISIA U, 2023
MA in Communication
and Design for Publishing

Designed w/
Corinne Carlin

Course
Design for Publishing

Supervised by
Irene Bacchi
Leonardo Sonnoli

Typography
HAL Timezone (Studio Hanli)
Pitch Sans (Klim Type Foundry)

Category
Editorial
Research

Size
210 x 280 mm

Printed at
Inchiostro Puro, Torino